Showing posts with label english. Show all posts
Showing posts with label english. Show all posts

Thursday, 11 March 2010

Discover your imagination


Can anybody tell me what is "a song that you love" ? I suppose it's something that makes you feel something. Or just sounds good. But if it just sounds good, it doesn't mean you love it. It just plays in your car, in your headphones or on your favourite radio station. A song that you love is a song that you just sit and listen to it. A song that echoes in your brain, in your mind, in your imagination.

Here's an exercise:

Pick a song that you truly love. The one that "echoes". Play it once. Twice.

The third time, while listening to it, the moment you feel something, write that feeling down in an adjective or a couple of words. Do this througout the song.

Then put the pen down. Look at what you wrote. Analyse the words and see what feelings you just had. The stronger the feeling were, the more you love the song.

Here's what I've picked: Audiomachine - "House of Cards". It's a short song that plays in a lot of trailers.

You can listen to it here

And here's what ran through my mind while listening to it:

ritual
quiet
relaxing
angelic
high spirits
grand
warmth
beautiful
luminous/ irradiant
warmth
challenging
up-lifting
engaging
something is coming
silence before the storm
severe
terifiyng
pain
killing
powerful
wripping apart
sublime
cry
end of the world
lost love
no use living
sky falling

resolute

Looking back at the list, it's actually a glimpse of my imagination and what happened with my mind when the music played. It's images transposed into words. And reading it afterwords reminds me exactly of what I was thinking in that moment.

Depending on your mood, the same song can bring up other words, but writing your feelings down is like an open window to your imagination.

Anybody dare to try it? Using your lovely song, ofcourse.

Saturday, 6 March 2010

Nomination and Predictions

Here are the nominees for the 82nd Annual Academy Awards (meaning Oscars) and my pick on who will win (the grey titles) :

Best Picture
"Avatar"
"The Blind Side"
"District 9"
"An Education"
"Inglorious Basterds"
"Precious"
"A Serious Man"
"Up"
"Up in the Air"

Best Performance by an Actor in a Leading Role
George Clooney - "Up in the Air"
Colin Firth - "A Single Man"
Morgan Freeman - "Invictus"
Jeremy Renner - "The Hurt Locker"

Best Performance by an Actress in Leading Role
Sandra Bullock - "The Blind Side"
Helen Mirren - "The Last Station"
Carey Mulligan - "An Education"
Gabourey Sidibe - "Precious"

Best Performance by an Actor in a Supporting Role
Matt Damon - "Invictus"
Woody Harrelson - "The Messenger"
Christopher Plummer - "The Last Station"
Stanley Tucci - "The Lovely Bones"

Best Performance by an Actress in a Supporting Role
Penelope Cruz - "Nine"
Vera Farmiga - "Up in the Air"
Maggie Gyllenhaal - "Crazy Heart"
Anna Kendick - "Up in the Air"

Best Director
James Cameron - "Avatar"
Lee Daniels - "Precious"
Jason Reitman - "Up in the Air"
Quentin Tarantino - "Inglorious Basterds"

Best Original Screenplay
"The Hurt Locker" - Mark Boal
"The Messenger" - Alessandro Camon, Oren Moverman
"A Serious Man" - Joel Coen, Ethan Coen
"Up" - Bob Peterson, Pete Docter, Thomas McArty

Best Adapted Screenplay
"District 9" - Neil Blomkamp, Teri Hatchell
"An Education" - Nick Hornby
"In the Loop" - Jesse Armstrong
"Up in the Air" - Jason Reitman, Sheldon Turner

Best Cinematography
"Das weisse Band - The Red Ribbon"
"Harry Potter and the Half-Blood Prince"
"The Hurt Locker"
"Inglorious Basterds"

Best Editing
"District 9"
"The Hurt Locker"
"Inglorious Basterds"
"Precious"

Best Art Direction
"The Imaginarium of Doctor Parnassus"
"Nine"
"Sherlock Holmes"
"The Young Victoria"

Best Costume Design
"Bright Star"
"The Imaginarium of Doctor Parnassus"
"Nine"
"The Young Victoria"

Best Make-up
"Il Divo"
"Star Trek"

Best Soundtrack
"Fantastic Mr. Fox" - Alexandre Desplat
"The Hurt Locker" - Marco Beltrami, Buck Sanders
"Sherlock Holmes" - Hans Zimmer
"Up" - Michael Giacchino

Best Song
"Crazy Heart" - T-Bone Burnett, Ryan Bingham ("The Weary Kind")
"Faubourg 36" - Reinhardt Wagner, Frank Thomas ("Loin de Paname")
"Nine" - Maury Yeston ("Take it All")
"The Princess and the Frog" - Randy Newman ("Almost There")
"The Princess and the Frog" - Randy Newman ("Down in New Orleans")

Best Visual Effects
"District 9"
"Star Trek"

Best Animated Feature Film
"Coraline"
"Fantastic Mr. Fox"
"The Princess and the Frog"
"The Secret of Kells"

Best Foreign Language Film
"Ajami" (Israel)
"Das Weisse Band" (Germany)
"El Secreto de sus ojos" (Argentina)
"La teta asustada" (Peru)

Best Documentary
"Burma VJ"
"The Cove"
"The Most Dangerous Man in America"
"Which Way Home"

Winners will be announced tonight, 7th of March at 8PM Pacific Time, 3AM European


Monday, 1 March 2010

Avatar/Goliath vs Hurt Locker/David

With 6 days left to go before the big night, apparently the top contenders for the Academy’s Best Picture prize are The Hurt Locker and Avatar. Can anybody believe that? Small, indie production but with a powerful human-side battling against the golem in all shapes and sizes but with innovative technique? Doesn’t this look like a battle from the holy books? Yes, it does. It’s exactly like David and Goliath. And here’s what I think will be the aftermath of such a confrontation.

Crunching last box-office scraps, Avatar/Goliath is tired of the same food for last couple of months. He chewed out of other wannabes like Twilight, Sherlock Holmes, It’s Complicated, Daybreakers, Book of Eli, Lovely Bones, Edge of Darkness and many others. And now he’s biting his way into The Oscars with 9 nominations, including for the big one. A thought at which Avatar/Goliath grins everytime it crosses his mind. But he is tired. He’s tired of no real competition. Tired and furious on people not understanding what he has achieved and what he represents. He feels the eyes of the Gods/Academy carefully watching him almost feeling their breath warming up his backhead. The pressure is gaining on him, even if he’s as big as Titanic. Even bigger.

Somewhere in the far distance something slowly climbs uphill. It’s been a long year for Hurt Locker/David and he has reached incredible levels. He took on any challenges that his people gave him and he surpassed all. He came to the New Lands/USA in mid-year and didn’t became a sudden sensation in the box-office arena. But he slowly conquered the souls of his watchers and built a strong army of followers. Key-followers. His efforts have paid off. He carries the responsibility of 9 Oscar nominations, the most important ones.

Avatar/Goliath turns to see this ant approaching and feels his anger chocking him when he sees who it is. Nevertheless, he’s heard before of this... Hurt Locker/David.

AVATAR/GOLIATH: How dare you show your poster in front of me, scum? How dare you come near me? You’re not even the same genre!

HURT LOCKER/DAVID: But we’re being watched by the same crowd, sport! Just wanted to come here and assess the situation. See whats your status.

AVATAR/GOLIATH: Be gone, indie! Before I smash you with my 500 million production costs!

HURT LOCKER/DAVID: What? And send my ass flying to... Pandora?... Touching. I think your only fans between the Gods/Academy all travelled to the Blue-people planet and communication was interrupted. They can’t cast their vote throughout the Universe, mate.

AVATAR/GOLIATH: There are no limits to what I can do! I am the King !

HURT LOCKER/DAVID: You need a couple of humans, that can actually feel, to drag your blue-tail back to reality.

AVATAR/GOLIATH: Who are you to tell me what reality is?

HURT LOCKER/DAVID: You know me. I’m the one who stole the main prizes in front of your big-round eyes and made people feel human again. I’m the 11 million production that took the audience by surprise and reminded everybody about the terrible things we force ourselves to commit. About an unnecessary war that you so eagerly promote.

AVATAR/GOLIATH: You cannot compete with the simbolism of my war! My war is eliberating!

HURT LOCKER/GOLIATH: Your war is a fairy tale! It’s Pocahontas. Ridiculous.

AVATAR/GOLIATH: Made people dream again! Don’t you think they need that?

HURT LOCKER/GOLIATH: People need to realize the situation this world is in ! The situation our proud army is in. I’m their wake-up call!

AVATAR/GOLIATH: I stand for fulfilling people’s dreams. It’s the perfect drug.

HURT LOCKER/GOLIATH: War is a drug too. Powerful drug. You’ll see soon enough.

AVATAR/GOLIATH: You threaten me, bug?! You stand in front of innovation? In front of evolution? The future?

HURT LOKER/GOLIATH: I stand for a story that inspires people, not brainwash them. I stand for directors with passion who want to send a message, I stand for low-budget quality movies in these times of crisis!

Avatar/Goliath swiftly brings out his cutting-age-new-generation-stereoscopic-camera and slams it to the ground making the world tremble.

AVATAR/GOLIATH: Can you compare yourself to that??

Hurt Locker/David stares at the magnificent piece of movie-weaponry. A truly awesome site.

HURT LOCKER/DAVID: What use for it if what it shows is just someone else’s imagination? If it draws people to see it it’s because of the imagery, but not because of the feelings it stirs.

AVATAR/GOLIATH: It will get me what I want. Recognition.

HURT LOCKER/DAVID: It’s never enough, isn’t it?

Avatar/Goliath grins at the thought of it.

HURT LOCKER/DAVID: Don’t you get it? Don’t you understand that the prizes are... unobtainable? People minds are shifting. People are starting to get out of their sofas and look outside the window. They’re starting to take notice, to care, to act. It’s this world’s people that will show you that big things can be achieved by small people when there’s passion.

A moment of silence as this sinks in. Hurt Locker/David stands to leave.

HURT LOCKER/DAVID: I guess I said what I came here to say. I’ll fire my sling in six-day time and it will hit you where it hurts the most. In your pride.

Without any fear, he turns his back to Avatar/Goliath and walks away. The hill is silent now. Silent before the storm.

Saturday, 20 February 2010

The "good" about The Oscars

It seems like Hollywood is following tradition. The nominees for this year's Academy Awards Best Actor are mainly the good ol' villain characters that delighted us with great performances since the 1990ies. Looking back, the majority of Best Actor Winners are evil characters. In the past 20 years, 12 out of 19 awards were won by actors who played bad/evil/pitiful characters. Here they are:
1990 - Jeremy Irons for Reversal of Fortune - he plays a evilish wealthy socialite who hires a law professor to overturn his convictions for attempted murder
1991 - Anthony Hopkins for Silence of the Lambs - well, not much to say about that
1992 - Al Pacino for Scent of a Woman - not so evil but definetly a tough guy
1995 - Nicholas Cage for Leaving Las Vegas - playing an alcoholic who drank away his family, friends and job
1997 - Jack Nicholson As good as it gets - couldn't get more malicious than that
1999 - Kevin Spacey for his portrayal of a depressed suburban father in a mid-life crisis in American Beauty
2001 - Denzel Washington doing hard-life and mischievous training with a rookie in Training Day
2002 - Adrien Brody as the no-dignity-in-the-face-of-war Pianist
2003 - Sean Penn for ruthless king of the neighborhood in Mystic River
2005 - Phillip Seymour Hoffman as the controversial Capote
2006 - Forest Whitaker portraying the sadistic King of Scotland
2007 - Daniel Day Lewis performing hauntingly in There Will be Blood

This year the contenders are all playing characters that one way or another are not modern-citizens that kids should take as ideals in life (besides Morgan Freeman playing Nelson Mandela in Invictus). George Clooney plays the man with the downsizing axe in Up in the Air, Jeremy Renner the twisted almost suicidal Irak-war genist in Hurt Locker, Colin Firth is the deeply depressed lonely gay teacher in A Single Man and Jeff Bridges the broke country-singer with no care for life in Crazy Heart.

And guess what? Jeff Bridges is favourite.

So what's up with Hollywood's love for the bad guys? Or maybe a bad guy's physical and moral traits are easiear to portray than say... Dalai Lama. Or maybe we "feel" for them. Be it compasion from the Academy or simply genious acting, the balance favours the dark side so far. Morgan Freeman winning this year will slightly change the situation.

But my money is still on Jeff Bridges. That's probably because "I hate most people"

Friday, 13 November 2009

Movie Scripts vs. Books

More often I tend to think that movie scripts win the battle against books. Today, the speed of the life we’re living is far higher than was our grand-parents or grand-grand parents. Those who find more than two hours a day for themselves are plain lucky.

Nowdays, movies scripts are available to read online and some in electronic format (can buy it on Amazon). For those who don’t know what a movie script is here’s a definition: a screenplay or script is a written work especially for a film or television program. Meaning that a script tells you what happens in a movie scene by scene.

In our minds, words are represented by images. If I say “horse”, the image of a horse pops up in our minds, with shape, color and sizes left to the imagination of each of us. That’s why a book is always gonna be greater than a movie. Because, as we read it, we imagine everything the words on paper indicate us while a movie shows us the images that somebody else’s imagination created for us. But books are long and someone who tries to make the best of his free hour-a-day can very easily be disappointed (think about The Lord of the Rings or The Godfather, it takes a while until excitement happens).

This is where the movie script steps up. Even though the language can sometimes be a little technical, it is easy to learn and once you know it, it will work for you. Besides that, a script does exactly what a book does. Each scene contains a short and concise description of the setting where the action takes place and the dialogue. And lets the reader imagine the rest. Skillful script-writers know how to make the description (of the setting or the action) easy and often delightful to read, making the script what professionals call “a page-turner”. Also you’re never discouraged by the size of a movie-script as it is a standard 90 to 120 pages which can be easily read in about an hour or so. So scene by scene, a movie script spurs the imagination of the reader, just like a book does, the difference being that the climax moments come quicker than in books and time is essential in our everyday lives.

Of course, I’m talking about reading a script before seeing the movie, because most of the times, the movie sets your mind to the approach that the director had for the movie (can you think of anyone else playing Don Corleone or Aragorn or Gandalf? Even if there is someone better than Peter Jackson’s choice of actors out there, reading the book or script will have these actors images in mind). It’s scientifically proved that the mind tends to follow a precedent if it is aware of it. But if you read it before seeing a movie, your mind is free to decide how everything looks and sometimes you won’t even want to see the movie since it will ruin the nice little picture in your head that you created.

The Academy of Motion Pictures Arts and Sciences noticed that and has a special category for Original Writing since 1927. Pick a winner from their list and find the script online, read it, and see how your mind pictures the movie before seeing it. It’s the same process as reading a book, the mind does the same thing, only that things happen faster as you go through it.

I don’t think movie-scripts are a substituent for books, but in time I believe it’ll be a great alternative.